The pay being exceptional for the area, especially for a first-year teacher, Mary applied and found herself as the new kindergarten teacher for the little school, the last one having abruptly moved out of town and up to the city. Mark insisted it was fate. Mary pulled into the parking lot, found her assigned space, and took a moment to breathe, to let her heart slow down, to unwind a few sinews in her stomach. She used the opportunity to take a look at the school. It co-existed as a church, services on Sundays and Wednesday nights, according to the sign out front. Mary wasn’t familiar with the denomination, someone had told her that it was, in fact, nondenominational but was unfamiliar with its particular theology. The main building, the chapel, gave one the feeling that it was ancient, old stones upon old stones, sweeping up into a piercing, rustic steeple. It stabbed the sky with a cold, gray point. Two smaller buildings squatted at the end of the courtyard behind the chapel,. M.W. Turner; of Cole or Bierstadt in America; or of the Group of Seven in Canada are real? Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. This work is an attempt at formulating an Australian vision focussing on the works of Dupain and Williams. [Chinese landscapes? > Japanese?]A. IntroductionB. BiographiesMax DupainFred WilliamsWhat is a landscape? [Can one ‘do’ a landscape of terra nullius?What are media?Influences: technological [Grierson]; aboriginalDupain’s visionWilliams’ visionHow has Australia been constructed?BibliographyWould that do? Should she cite Grierson? Should she list the Group of Seven? Or just Lawren Harris?She began writing something else.A Landscape may be entirely imaginary or copied from reality. If it has been copied from reality, it will never be exact nor precise. The closest we can come to reality is through photographs. But the photographic image is not ‘true’ in a logician’s sense, as the angle,.
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